About Me

Exhibitions

Royal Society of Marine Artists: I have twice been exhibited at the RSMA Annual Exhibition at the Mall Galleries in London, in 2019 and 2020.

Guild of Aviation Artists: I have had work included in the GAVA 2022 Online Exhibition.

Galleries

The Wallington Gallery: I have a number of artworks available for sale at the Wallington Gallery.

Prints of my Portobello painting are also available at Portobello Frame King, on Portobello High Street.

I was born in 1984 in Edinburgh and I grew up in Portobello, one of the city’s suburbs. This part of the city is right on the seashore, so I have always felt very connected to the ocean and water in general. I haven’t always painted. I spent a long time, as everyone does, trying to discover what I wanted to do and who I wanted to be. When I eventually got to university, I started studying politics but left with a degree in archaeology! It was archaeology that probably set me on my path to becoming a painter, as it is actually a very visual subject; there is near constant use of imagery to recreate past structures, landscapes, or whatever else is being studied. The creativity involved in archaeology really helped me reconnect with art in a way I had not done for years. This made me realise that I wanted a job where I could use that creativity I knew I had within me.

There are many influences on my art, but one of the major influences is something not quite so obvious. I have mild autism - what used to be called Aspergers - and this has had a definite impact on my work. The primary impact is that I paint realistically in all my work, often with a lot of repetitive detail. I do not paint abstract works or use any kind of abstract, impressionistic, or contemporary styles; this is not because I think there is anything wrong with them, I just can’t. My brain is wired up in a very particular way and it only allows me to see things in a very real and literal sense. It also makes me pedantic to the extreme and this can make me the most appalling perfectionist when it comes to painting something, which is not always a good thing. But I try very hard not to see autism as a hindrance, even if it is not much of a benefit, and I try to use it in my art as positively as I can.